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FPC Live Presents:

MOVED TO THE SYLVEE: Waxahatchee x Cat Power

w/ Katy Kirby

Friday, September 10

6:30pm Doors |

8:00pm Show

All Ages. Doors 7PM.

Welcomed by B-Side Record Shop & 91.7 WSUM

Due to demand, we are moving Waxahatchee’s sold out show at Majestic on 9/10/21 to The Sylvee AND combining it with Cat Power for a big co-headlining show!  This will be the only date featuring both artists – lucky you!  Both Cat Power and Waxahatchee will each be playing their full sets with Katy Kirby opening the show.  Previously purchased tickets for Waxahatchee’s Majestic show are still valid for this new show – no need to do anything else.  Tickets will go back on sale this Friday, 6/25 at 10AM.  

On September 7, Katie Crutchfield’s ever-shifting musical project Waxahatchee returns with the Great Thunder EP. Featuring a collection of songs written with now-dormant experimental recording group Great Thunder while Crutchfield was also writing the Waxahatchee albums Cerulean Salt and Ivy Tripp, the original recordings have mostly faded into obscurity. Unearthing and reimagining them with producer Brad Cook at Justin Vernon’s April Base studio in Wisconsin was a cathartic experience, she says.

On the heels of last year’s critically acclaimed Out in the Storm, Crutchfield found herself looking to take a sharp turn away from the more rock-oriented influences of her recent records towards her more folk and country roots. “I would say that it is a complete 180 from the last record: super stripped-down, quiet, and with me performing solo, it’s a throwback to how I started,” writes Crutchfield. “Overall, the EP is a warm, kind of vibey recording.”

Some of the songs on Great Thunder, like “Chapel of Pines” and “Singer’s No Star,” stayed the same and will be recognizable to those intensely familiar with Crutchfield’s catalog to date, while closer “Takes So Much” was built back up on piano from the bones of the original version, surprising even the songwriter: “Until then, I didn’t realize how beautiful this song was.” As Crutchfield entered April Base to record, she became ill but opted to forge on, beautifully stretching her voice to its emotional limits.


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